My Path to 100k is a new blog series in which I struggle to reach the end of my current writing project, and to reach my goal of 100,000 words, before the end of 2017. Follow my blog or my Twitter and Instagram to read along. Alternatively, you can read the first post here. Thank you for stopping by!
The quick answer is here: no.
Alternatively, the long answer is here. I’ve thought about it for years. I’ve tried a few times. And promptly failed. I don’t think it’s ever going to work for me – or at least not right now. I already have about 10,000 words of essay writing to do during November and I value sleep and sanity and sometimes I even take the time to talk to people, so NaNoWriMo in its full glory probably won’t happen for me. Continue reading “Am I NaNoWriMo-ing? | October Writing Updates”
If there’s one thing I don’t like about the current state of publishing, it would be the almost complete lack of books focused on the experience of anyone aged 18 to 25. There are plenty of angsty sixteen-years-olds in YA (why are so many of them sixteen? I was sixteen once and it wasn’t as life-changing as I was led to expect), but after that we’re left with full-on adult fiction. You’re either reading about schoolkids saving the day or adults balancing work and home (yes, I know that is a very brief generalisation). The crazy gap between these two age groups is largely missed even though there’s all kinds of exciting stuff going on. Continue reading “Freshers | Tom Ellen and Lucy Ivison”
My Path to 100k is a new blog series in which I struggle to reach the end of my current writing project, and reach my goal of 100,000 words, before the end of 2017. Follow my blog or my Twitter and Instagram to read along. Alternatively, you can read the first post here. Thank you for stopping by!
I have been notedly absent from here and from all social media. There is a reason for this and it is one that I fully anticipated: the summer holiday is over (all fourteen weeks of it for me) and I have a new timetable, a new room and a renewed fear of failure. Continue reading “Second Year Struggles | September Writing Updates”
Stupidly or wisely (because who knows where this will go, really?) I have set myself a goal for the end of the year. It’s very simple and very daunting all at the same time.
I want to reach 100,000 words in my current draft by the end of 2017.
I can hear it already: someone is flipping their hair and saying ‘Mimi, I wrote 50k in just one month for NaNoWriMo one time.’ And, yes, a lot of people are super speedy writers who practically set the keyboard on fire but I AM NOT ONE OF THOSE PEOPLE. I am both a terrible overwriter and a terribly slow writer and when both of those of those come together you have a problem. Continue reading “The Writing Path is Laid | August Writing Updates”
It took me forever to get into this book. I got into a massive reading slump and kept staring at the book and thinking ‘Why must I read you?’ and that isn’t the best precedent to set before getting to a hundred pages. However, once I finally got into The Lie Tree, none of that mattered because, wow, this book has a lot to say.
When Faith’s father is found dead under mysterious circumstances, she is determined to untangle the truth from the lies. Searching through his belongings for clues she discovers a strange tree. A tree that feeds off whispered lies and bears fruit that reveals hidden secrets.
But as Faith’s untruths spiral out of control, she discovers that where lies seduce, truths shatter… Continue reading “The Lie Tree | Frances Hardinge (not like other ladies)”
I wasn’t going to buy this book. Carrie’s previous book, On The Other Side, left me underwhelmed and I didn’t have high hopes for improvements. But then I was taken in by the pretty cover and the pre-order prizes and, as a book deal aficionado, I managed to get it for under £6. And I was surprised: this book is a huge improvement, but, and I hate to say this, I don’t think Carrie’s writing is at publishable standard just yet. Continue reading “All That She Can See | A book let down by the little things”
Patrick Ness’ Chaos Walking Trilogy is my favourite series after Harry Potter, only missing out on the top spot for these reasons: a) there are fewer books and b) the fandom is smaller so there is less prolonged excitement. But still, it’s brilliant. I don’t think I’ll ever read a better science fiction series.
What this means, however, is that my relationship with his other book always goes something like ‘it’s not Chaos Walking, but it’s still Patrick Ness so I like it anyway.’ The same is true for Release. Good book. Good read. Probably won’t be obsessing over it six years after first reading it. Continue reading “Release review | AKA Patrick Ness is the best”
I said the other day that Radio Silence might just be my book of the year, but already there’s a new contender competing for this year’s place: Kiran Millwood Hargrave’s The Girl of Ink and Stars.
The Girl of Ink and Stars surprised me with how much was packed into two hundred or so pages. I pretty much only bought the book because I liked the cover (I know, I’m terrible) and I was worried that it would be a case of all-boasting, no-substance. Some books can be a bit over-produced but lack the content to make this seem worthwhile. This one has fold-out endpages that reveal two maps of the Island of Joya, the book’s main setting, and illustrations in the margins of every page. But, far from being a needless addition, these features actually add to the reading experience. Continue reading “The Girl of Ink and Stars | Beautiful cover, beautiful story”
This is a strong contender for my book of the year. I’m so glad I managed to fit this one into my increasingly limited reading time. I could ramble on about all the little details that make it so great, but for fear of boring everyone, here’s a list of reasons why you should grab a copy right now: Continue reading “Nine reasons to read Alice Oseman’s Radio Silence”
Shadow and Bone, the first book in the Grisha trilogy, has all the promises for a wonderfully original fantasy series, but it suffers from two problems that are difficult to ignore: it lacks plot and character development, and the world building really isn’t there.
There is a simple reason for this: Shadow and Bone is about a hundred pages short of where it should be. Clocking in at just over 80,000 words, it’s only the average length of a contemporary. There just isn’t the time and space to fit in all the details needed for the reader to connect with the characters and the world. Continue reading “Shadow and Bone | Leigh Bardugo”